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Cleanth Brooks’ Critical Principles in the Light ofIndian Aesthetics
Dr.Indhu M. Eapen
Abstract:
New Criticismdistinguishes itself from other schools of literary criticism by its “close reading†of texts, both poetry and fiction. The New Critics valued the independence of the text over its meaning. They believed in the structural unity of the text.This structural unity is synonymous to ‘harmony’ and ‘balance’ in a work of art. They used paradox, irony, ambiguity, and tension as means and mediators to discover the unified structure.Ancient Indian Poetics, like the Greek Poetics, concerns itself mainly with drama, but poetry in the Indian concept is an integral part of drama, and also since drama is a kind of poetry, there are several observations on the nature of poetryfound in Indian treatises on Poetics. This article focuses on CleanthBrooks’New Criticismin comparison with the Theory of Dhvanipropounded by Anandavardhana. Both theories emphasize that different kinds of meanings are present to lead the reader into a significant aesthetic experience.