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*A.Vyshnavi Devi M.A. (English), (B.Ed), UPGC,Subedari,Hanamkonda, Kakatiya University,Warangal(T.S.)-506001Abstract: Girish Karnad the proponent of secularism, multi-culturalism and the freedom of expression. Popularly known as a renaissance man, Karnad, is one of the set light to bearers to Indian dramatists. In the dominion of contemporary drama his place is remarkable. He has directed and acted in many films in Kannad, Marathi and Hindi. He has found a new approach in Indian drama by drawing historical and mythological sources to tackle contemporary themes. As a multifaceted dynamic writer he has a historic vision but a contemporary voice. He is one of the most prolific writers of Indian drama writing at the beginning in Kannada and translating himself his plays into English. The present paper focus on Karnad‘s Yayati, (1961) initially written in Kannada, conveys the message of performance of duty and acceptance of responsibility. In this play, Karnad presents the age-old story of the mythological King Yayati who was the tenth in the line of the Brahma‘s family. |
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1-11 |
| 2 |
Dr. Shankaragouda. GadigeppagoudarAbstract: Caryl Churchill, arguably one of the most powerful playwrights of British theatre of the modern era, has always used new dramaturgy to examine serious feminist issues. Churchill's plays are not just drama scripts but also critical analyses of women's socio-political lives. This research paper examines the feminist thought within Churchill's significant plays, namely Cloud Nine, Top Girls, Vinegar Tom, A Mouthful of Birds, and Escaped Alone. |
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21-30 |
