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1
  • Depiction of History in Shashi Tharoor’s Novels


Aradhna kamra

Abstract: The present work is about the reflection of history in the novels of Shashi Tharoor. The work includes his two valuable novels such as The Great Indian Novel, An Era of Darkness: The British Empire. The research focuses on thematic focus of his work which reveals his sense of pride in Indian culture, heritage and history. The Great Indian Novel retells the political history of 20thcentury India which records political history of modern India on the structure of great Hindu epic the Mahabharata


1-11
2
  • तथागत बुद्धांचा दार्शनिक संघर्ष: एक शोध


डॉ.प्रकाश कांबळे,

Abstract: तत्त्वज्ञानाच्या जागतिक इतिहासामध्ये चैतन्यावाद व जडवाद किंवा अध्यात्मवाद विरुद्ध भौतिकवाद असे दोन तट आहेत.अर्थात भारतातही हेच दोन मुख्य तट आहेत.चैतन्यवाद पारलौकिक जगाचा विचार करते,तर जडवाद इहलोकाचा विचार महत्त्वाचा आणि मुलभूत मानते.जगाची निर्मिती कशी झाली याच्याशी जडवादाला घेणेदेणे नाही,तर हे जग स्वतःच्या पायावर कसे उभा राहील हे पाहणे तत्त्वज्ञानाचे काम असते हे जडवादाचे प्राणतत्त्व. म्हणूनच भारतीय विचारदर्शनातील पारंपरिक संघर्ष हा पश्चिमी परंपरेप्रमाणे अध्यात्मवाद विरुद्ध भौतिकवाद असा नसून तो ब्राह्मणी विरुद्ध अब्राह्मणीअसे असल्याचे पुरेसे स्पष्ट झालेले आहे. भारतातील एकूण तत्त्वविचार या दोन छावण्यामधील अंतरक्रियेमुळे निर्माण झालेला आहे हे लक्षात घेणे आवश्यक आहे.प्रस्तुत शोधनिबंधामध्येतथागत गौतम बुद्धांनी जो दार्शनिक संघर्ष केलेला आहे त्याचा विचार करावयाचा आहे.हे करत असतांना तथागतांचा संघर्ष कोणत्या दर्शनाशी झाला,या संघर्षाचे स्वरूप कसे होते व या संघर्षात त्यांनी कोणत्या शस्त्राचा अवलंब केला,याचा विचार केला जाणार आहे.


12-16
3
  • Portrayal of relationships in selected short stories of Shashi Deshpande


Dr. Sangeeta Sharma

Abstract: Shashi Deshpande is one of the Indian Writers who has created a niche for herself by virtue of her writings which make her stand out of crowd of Indian Writers in English. Starting her journey as a writer by writing Fiction for children, she delves deeper into the realms of writing about women. She has been continuously denying the label of being feminist yet she continues to write about phallocentric perspective prevalent in the society in general and Indian society in particular. Very categorically, she asserts that the ideas of feminists like Kate Millet and Simone De Beauvoir can’t be taken as the standard paradigms for the Indian writers as well as the Indian readers. Having authored around twelve short story collections, nine novels and many prose writings in the form of essays. She is recipient of great awards like Sahitya Academy Award and Padam Shree. Being the daughter of famous Kannada dramatist and Sanskrit scholar, she has art and literature in her blood which magnetized her to pursue career in journalism in spite of having degree in Economics.


17-20
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