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1
  • PEOPLE'S ARTIST OF UZBEKISTAN GAVHAR MATYAKUBOVA'S CREATIVE SCHOOL


Hamroeva Hulkar Hamidullayevna

Abstract: This article examines the peculiarities, description and classification of the scientific and creative school of Gavhar Matyokubova, People's Artist of Uzbekistan, a leading representative of the Uzbek national dance, historical-ethnographic-folk choreography, the history of the booklet "Lazgi" and its role in the development of dance.


1-12
2
  • ANTHROPOMORPHIC METAPHOR IN HISTORICAL REALITY AND ARTISTIC TEXTUALISM


Nasrullayeva G.S. Phd. Yayshieva Zebo Rashidovna

Abstract: It is known that in order to translate historical truth into artistic reality, it is necessary to carefully study the writer's many creative searches, courage, and factual materials. When it comes to this "...collecting rich material when creating a historical novel is also painstaking, but sorting, selecting, limiting the collected material, and processing it artistically is a great art. "1


23-30
3
  • THE IDEA OF NATIONAL INDEPENDENCE: THE PRESENT AND FUTURE OF THE ART OF NATIONAL DANCE


Sitora Narzullayeva Sayfullo qizi

Abstract: Student of the Uzbek State Academy of Choreography The radical changes taking place in our country have begun the process of renewal in the field of national dance. The art of dance has always been one of the most important factors in the education of beauty and elegance. After all, in our country, which is moving from national revival to national uplift, every sphere of spirituality and enlightenment is one of the priorities of state policy


13-17
4
  • QUALITIES IN THE FORMATION OF ORGANIZATIONAL CULTURE (BASED ON THE RESEARCH OF N.N. JAMILOVA)


Djabborov Masud Bahriddinovich

Abstract: Discipline is the ability to behave, to be internally organized, to have a sense of responsibility, and to be willing to submit to personal goals and social attitudes. Discipline as a personal virtue is manifested in the unconditional observance of social norms of behavior, habituation to discipline, observance of laws, subordination of personal interests to public opinion. It promotes balance in the family and society, the movement of people in different activities. Independence - the ability to carry out various activities (study, work, play, art) on the basis of advice and suggestions of adults.


18-22
5
  • WORD APPLICATION OF E.VOKHIDOV


RANO SAYFULLAEVA HULKAR HAMROEVA

Abstract: In this article, the Hero of Uzbekistan, People's Poet of Uzbekistan Erkin Vоhidov was a mature representative of modern Uzbek literature, a great artist of words. This article examines his word choice and word use skills.


31-39
6
  • MAHMUDKHOJA BEHBUDIYI IN THE FIELD OF LAW


Shohnazar Boboqulov Sabina Hojieva

Abstract: The article deals with the legal reforms and educational works of the great scholar, leader of the Turkestan Jadids, multi-talented and public figure Mahmudhoja Behbudi.


40-47
7
  • CREATIVITY LABORATORY OF ASSISTANT PROFESSOR SHUKHRAT TOKHTASIMOV


Hulkar Hamroeva, Matluba Murodova, Polat Tashkenbaev,

Abstract: This article examines the scientific, creative and pedagogical activities of the famous choreographer-teacher, associate Professor Shukhrat Tokhtasimov, who made a huge contribution to the development of Uzbek art and culture during the period of independence.


48-60
8
  • Study of social behavior as a functions of child rearing practice


Dr Sangeeta Rani Dr Shobha Kumari

Abstract: Child-rearing customs and beliefs are not the same for all Indians.India is composed of a diverse population with assorted religious, political and cultural views on child-rearing practices. With so many differences among Indians, it is impossible to ascribe a unified set of customs and beliefs about child-rearing to the entire country


61-69
9
  • PORTRAYAL OF INDIAN CULTURE AND TRADITION IN THE NOVELS OF CHITRA BANERJEE DIVAKARUNI


Sompal Singh Professor Ambuj Kumar Sharma

Abstract: Chitra Banerjee Divakaruni is a writer of international fame and eminence. She has immigrated to the USA but the fragrance of Indian culture and tradition always exists in her novels. Chitra Banerjee Divakaruni depicts the portrayal of Indian culture and tradition through her novels as The mistress of spices, Sister of my heart, The Vine of Desire, Queen of Dreams, and Oleander Girl have been taken for the study of elements concerned with Indian culture and Tradition. The study further explores how the various character in these novels reflect the colours of Indian tradition in their general way, rituals, and customs. Mrs. Chitra Banerjee Divakaruni apart from her contemporary


70-76
10
  • IMPACT OF MANIPULATIVE DRILL ON STUDENTS’ INTEREST IN ORAL ENGLISH IN TERTIARY INSTITUTIONS IN ENUGU STATE, NIGERIA


Eze Edith (Ph.D.)

Abstract: The purpose of the study was to investigate the Impact of Manipulative Drill on students’ interests in Oral English at the Enugu State College of Education Technical Enugu. To carry out the study, one research question and one hypothesis were formulated to guide the study. A quasi experimental design was adopted. Specifically, the pre-test, posttest non-equivalent control group was used. The area of the study was Enugu State College of Education Technical, Enugu State. The population of the study was all the 75 students of year one of the language studies department of the academic session. It was an intact class, so the entire population was used.


77-90
11
  • मध्यकालीन उत्तर भारत में मुस्लिम समुदाय की शैक्षिक स्थिति का आंकलन


- डाॅ0 (सूफी) शकील अहमद

Abstract: मध्यकालीन उत्तर भारत में मुस्लिम समुदाय की शैक्षिक स्थिति का आंकलन


91-101
12
  • Heart of Darkness: Reading Life Experience and Political Context


Dr. B. Venkat Rao

Abstract: Heart of Darkness: Reading Life Experience and Political Context


102-108
13
  • मानववादी मूल्यों की पोषक हिन्दी दलित कविता


डाॅ0 दीपिका कटियार

Abstract: मानववादी मूल्यों की पोषक हिन्दी दलित कविता


109-111
14
  • VISUAL ASPECTS OF POETIC COMPOSITION


Dr. Anjum Islam

Abstract: Visual aspect is also a component of poetic composition. The exploration of this aspect may differ from poet to poet or even from ne poem to another. The tradition of this kind is surely Mot very strong but its consciousness or its awareness is not unknown among the poets of English. Poetry after all, is written on paper and is meant to be read. In such case if a poet conceived this idea and reveals this aspect it certainly adds a dimension to poetry and provides a certain degree of richness. The earlier known poet who used this visual technique is George Herbert, a seventeenth century metaphysical poet -


112-121
15
  • ਪਰਵਾਸੀ ਪੰਜਾਬੀ ਕਵਿਤਾ : ਸਥਿਤੀ ਅਤੇ ਸੰਭਾਵਨਾਵਾਂ


ਡਾ•ਤਿਲਕ ਰਾਜ

Abstract: ਪੰਜਾਬ ਤੋਂ ਆਪਣੀ ਆਰਥਿਕ ਹਾਲਤ ਸੁਧਾਰਨ ਲਈਵਿਦੇਸ਼ੀ ਅਤੇਪਰਾਏ ਮੁਲਕਾਂ ਵਿੱਚ ਗਏਅਤੇ ਵੱਸਦੇ ਪਰਵਾਸੀ ਪੰਜਾਬੀਸਾਹਿਤਕਾਰਾਂ ਨੇ ਸਾਹਿਤ ਰਚਨਾਭਾਵੇਂ ਚਿਰੋਕਣੀ ਆਰੰਭ ਕਰ ਦਿੱਤੀ ਸੀਪਰ ਪਰਵਾਸੀ ਪੰਜਾਬੀ ਸਾਹਿਤ ਦਾ ਸੰਕਲਪਅਤੇ ਇਸ ਦਾ ਅਧਿਐਨ ਬਕਾਇਦਾ ਰੂਪ ਵਿੱਚ 1980 ਤੋਂ ਬਾਅਦ ਹੀਆਪਣੇ ਵੱਲ ਧਿਆਨ ਖਿੱਚਦਾ ਹੈ।ਪਰਵਾਸੀ ਪੰਜਾਬੀ ਸਾਹਿਤ ਦੀ ਸਿਰਜਣਧਾਰਾ ਵਿੱਚ ਪਰਵਾਸੀ ਪੰਜਾਬੀਕਵਿਤਾ ਦਾ ਅਹਿਮ ਸਥਾਨ ਕਿਹਾ ਜਾ ਸਕਦਾ ਹੈ।ਕਵਿਤਾ ਦੁਆਰਾ ਮਨੁੱਖੀ ਮਨ ਦੀਆਂ ਭਾਵਨਾਵਾਂ ਦੀ ਅਭਿਵਿਅਕਤੀ ਹੋਰਨਾਂ ਸਾਹਿਤ ਰੂਪਾਂ ਨਾਲੋਂਵਧੇਰੇ ਸਹਿਜ ਰੂਪ ਵਿੱਚ ਕੀਤੀ ਜਾ ਸਕਦੀ ਹੈ।ਪੰਜਾਬ ਦੀ ਧਰਤੀ ਤੋਂ ਪਰਵਾਸ ਧਾਰਨ ਕਰਕੇਵਿਦੇਸ਼ੀ ਮੁਲਕਾਂ ਵਿੱਚ ਰੋਜ਼ੀ ਰੋਟੀ ਦੀ ਤਲਾਸ਼ ਵਿੱਚ ਜਾ ਕੇ ਵੱਸਣ ਵਾਲੇ ਪੰਜਾਬੀਆਂ ਲਈ ਨਵੇਂ ਸਮਾਜਅਤੇ ਸੱਭਿਆਚਾਰ ਦੀਆਂ ਸਥਿਤੀਆਂ ਮੂਲੋਂ ਹੀ ਓਪਰੀਆਂ ਸਨ।ਅਜਿਹੀ ਸਥਿਤੀ ਵਿੱਚ ਵਿਚਰਦਿਆਂ ਉਨ੍ਹਾਂ ਦੀ ਮਾਨਸਿਕਤਾ ਵਿੱਚ ਚੱਲਣ ਵਾਲੀਉਥਲ ਪੁਥਲ ਨੂੰ ਪਰਵਾਸੀ ਪੰਜਾਬੀ ਸਾਹਿਤ ਖਾਸ ਕਰਕੇ ਕਵਿਤਾ ਵਿੱਚ ਅਭਿਵਿਅਕਤੀ ਮਿਲਦੀਪ੍ਰਤੀਤ ਹੁੰਦੀ ਹੈ।ਇਸ ਪ੍ਰਕਾਰ ਪਰਵਾਸੀ


136-143
16
  • ANGUISH AND AUTHENTICITY


Dr. Uday Singh

Abstract: In this study I am revisiting the problem of anguish and authenticity as portrayed by Jean-Paul Sartre. My chief concern is to take a closer look at the ontological status of anguish and authenticity and present the issue in my own authentic philosophical tenor. Key Words: Anguish, Authenticity, Choice The notion of anguish and authenticity being connected with human existence is a very familiar territory with several prominent readers in the field. In this study I am revisiting the problem of anguish and authenticity as portrayed by Sartre. My chief concern is to take a closer look at the ontological status of anguish and authenticity and present the issue in my own authentic philosophical tenor with a bit more thorough examination.


144-150
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